By Stephanie Dinkins
Please visit the Binary Calculations website for up-to-date information on the project!
April 22 and April 29, 2021; 6:00 – 7:00PM, on Zoom
Participants do not need any prior knowledge or experience to engage in the workshop. To register, email email@example.com.
In this two-part workshop, transmedia artist and Stony Brook University Professor Stephanie Dinkins leads a conversation about the exclusionary nature of artificial intelligence (AI) and the algorithms that undergird our technologies as well as the steps we can take to create more equitable datasets. This workshop will rely partially on the contributions of participants to create a more inclusionary and interactive algorithm, proposing a data commons approach where anyone can contribute to a training dataset that in turn can be used to power AI. The data collected during the workshop will contribute to Our Data, an app which is currently under development and aims to co-create more nuanced algorithmic possibilities by creating two repositories—one for text and one for image—which will be available for people to use as an alternative to existing data sets.
About the Artist
Stephanie Dinkins is a transmedia artist who creates platforms for dialog about race, gender, aging, and our future histories. Dinkins’ art practice employs emerging technologies, documentary practices, and social collaboration toward equity and community sovereignty. She is particularly driven to work with communities of color to co-create more equitable, values grounded social and technological ecosystems.
Dinkins exhibits and publicly advocates for equitable AI internationally. Her work has been generously supported by fellowships, grants, and residencies from United States Artist, The Knight Foundation, Berggruen Institute, Onassis Foundation, Stanford Institute for Human-Centered AI, Creative Capital, Sundance New Frontiers Story Lab, Eyebeam, Data & Society, Pioneer Works, NEW INC, and The Laundromat Project. Dinkins is a professor at Stony Brook University where she holds the Kusama Endowed Professorship in Art.
A Blade of Grass’ public programs are made available for free thanks to the generous funding of The Andy Warhol Foundation for the Visual Arts; David Rockefeller Fund; SPArt; New York State Council on the Arts; New York City Department of Cultural Affairs in partnership with the City Council; the National Endowment for the Arts; and our beloved community of individual supporters.